An excerpt from the article "Why does Hollywood hate the suburbs?"
by: LEE SIEGEL
art: LEONARD KOSCIANSKI
The cultural chasm between liberals and conservatives that first appeared in the '60s was largely one between the city and the suburbs. The liberal "idealism" that had created the catastrophe in Vietnam now got blamed, unfairly or not, for failing economic and social policies. For marginalized conservatives, the suburbs were living refutation of the crumbling ethos that had guided the crime-ridden, decaying urban centers. For embattled liberals, people leaving the cities for safer and cleaner outlying towns were racists and cowards who had no respect for shared public space.
One of the most glaring ironies of American life is that, a quarter-century later, the cities have metamorphosed into the suburbs -- sans trees and grass. The cities' fabled diversity has devolved into global chain stores and the electrolyte-enhanced water bottle and the branded baseball cap have become the accessories of a universal comfort and conformity. In a social and cultural sea change, the cities' rented apartments, once the guarantor of diversity and fluid, exciting movement, have been converted into exclusive co-ops and condominiums. Yet as the cities have become a new type of suburb, suburb-phobia has become an ever more acceptable cultural attitude. The suburban person is considered too meek, too asphalt-challenged to inherit the earth. In the urban centers, on the other hand, desperate ambition makes bad manners respectable, and the chic of perverse taste covers up Philistine cluelessness. The decent, suburban person is regarded as contemptible because he has not learned to reach beyond his talents and pick life's pockets.