Peter Schilling - Major Tom
"While numerous new wave artists in the early '80s tried to imitate David Bowie, Peter Schilling went a step further. In 1983, Schilling released "Major Tom (Coming Home)," a synth pop retelling of Bowie's 1969 classic "Space Oddity." It became Schilling's first and only entry in the U.S. charts, a song that eventually stigmatized him as a one-hit wonder in America. Schilling was born in Stuttgart, Germany, on January 28, 1956. As a teen, Schilling couldn't decide on whether to be a soccer player or a singer. He chose music and his debut album, Error in the System, appeared in 1983. The single "Major Tom (Coming Home)" wasn't just popular in the U.S., it was a worldwide smash. The video was played often on MTV, as well, but Schilling was not able to equal its success. In 1989, Schilling collaborated with Enigma's Michael Crétu on the track "Different Story (World of Lust and Crime)," an admirable attempt at updating his sound and trying to return to the American charts. "Major Tom" was given a techno sheen in 1994, and the reworked song was welcomed in the clubs. A year later, Schilling formed the Space Pilots with Catyana Schilling, J. Feifel, and P. Magnet, recording Trip to Orion."
Source: Michael Sutton, All Music Guide
"Anne Dudley, Gary Langan, and Paul Morley were members of producer Trevor Horn's in-house studio band in the early '80s before they formed the Art of Noise, a techno-pop group whose music was an amalgam of studio gimmickry, tape splicing, and synthesized beats. The Art of Noise took material from a variety of sources: hip-hop, rock, jazz, R&B, traditional pop, found sounds, and noise all worked their way into the group's distinctly postmodern soundscapes."
"Below the Waste (1990) captured the band experimenting with world music; it received a lukewarm critical and commercial reception. The following year, a low-key remix album directed by Killing Joke's Youth called The Ambient Collection appeared. Later in the year, the Art of Noise broke up. Dudley eventually worked with Killing Joke's Jaz Coleman and Phil Collins. Horn, Dudley, and Morley reunited in 1999 for a new album, The Seduction of Claude Debussy. Kevin Godley and Lol Creme were added to the lineup."
Source: -Stephen Thomas Erlewine, All Music Guide
Whoa - talkin' ' bout some degrees of separation he-ah, what a find! They also collaborated with Prince and Frankie Goes to Hollywood, per the article. Godley and Creme produced "Cry" for Definitely Miami episode of Miami Vice, the iconic t.v. show that in part defined the greatest decade of human civilization, the 1980s.
Cry - Godley & Creme